Just a quick one to mention that there are only 3 classes left this year!!
First up will be a week long intensive on fabricating large mosaic installations preferably permanently, but I will also go over how to go large with the possibility of later moving the mosaic. It’s going to be awesome!!! I cover everything from design enlargement to fabrication to installation and grouting. November 15 – 22 in my Canberra home-studio. Details in image below.
Marian Shapiro is then going to join us from teh Blue Mountains for two, one-day workshops on December 6 & 7. If you register for both classes there is a discount! Workshop 1 is “Understanding Andamento” where Marian will go over the visual grammar of mosaics. Workshop 2 is one that she’s already taught a few years back with much success: “Bend, Fold & Undulate” where participants will learn to create their own 3D substrates that well… bend, fold and undulate!
If you are looking for some inspiration of what you can create in the Bend, Fold & Undulate class I recommend you go see the group show in Bungendore by artists Caitlin Hughes, Kate Butler & Kelly Wild. It runs at the X Gallery until December 1. Well worth the visit if you are in the area.
I’m working on a couple mosaics at the moment – a mural in memory of my father and an awesome 3D piece that I can’t wait to finish creating the substrate for.
I just arrived back to Australia from attending the first International Urban Mosaic Intervention in Puente Alto, Chile. The intervention was organised by the amazing Isidora Paz Lopez, a Chilean artist responsible for the 4 km of mosaics along Puente Alto’s metro line. That was her second mosaic project.
Back in August last year, Carrie Reichardt came to the MAANZ symposium as keynote speaker and mentioned the project. At the time, I thought there was no way I would be able to go. Life’s responsibilities would get in the way. In any case, due to my father’s passing I didn’t even see the Call to Artists so missed out on the opportunity anyway. At least so I thought.
My good friend, Susan Crocenzi, got in touch with me as one of the artists who made the cut asking if I’d like to come along as an assistant/volunteer. I jumped at the opportunity thinking that at the very least it would be amazing to experience and watch the process – possibly even documenting it all. As it became obvious that some of the original lineup were no longer going to be able to go to Chile, I was told by Carrie and Susan to apply… and so I did. I still made plans to come along though my anthem at that time was the Clash’s “Should I Stay or Should I Go?” until finally I just bit the bullet and bought my flight over. Within a few days of me doing that, I received an email from Isidora inviting me to be part of the project on an official basis.
It all seemed too good to be true. I had found some good friends who I trusted to look after my animals and house. My kids spent the month with my Mum down at the coast. Even my chickens went to stay on a beautiful farm. It was too easy – this never happens and so my decision was made to GO!
In a way it happening so quickly, leaving me no time to really prepare, was a blessing in disguise. I made the decision before I left not to think about a design – in fact I had little time to and the time I did was the few days before I left which I spent down the coast. I treated it as a holiday as I knew this trip was not going to be one, as fun as it was. I also made the decision to use only what was provided to me and not bring any materials along, create pieces on mesh etc. Seriously, who had time for that? and I just want to live in the moment! were the two things going through my mind. The first three days of the project were spent with me arguing with myself about these two statements. LOL. It wasn’t pretty 😉 I did however purchase a brand spankin’ new pair of Starretts – probably the best purchase I made as they definitely helped my hands not get as wrecked as some of the artists. I walked away with callouses only and no blisters. I feel blessed! I also packed some knee pads. I thought I was being a total dork when I did it, but was 100% validated when bumping into Gary Drostle in Valparaiso before the project had started and him mentioning that he too brought knee pads, ha!
I arrived in Chile early January. Met with Susan in the customs line of the airport as our planes arrived and funnily enough left at similar times. We headed straight to Valparaiso on the coastline of Chile. It’s a fairly small city bursting at the seams with amazing street art. Loved it there and it reminded me a little of parts of San Francisco where I lived for a few years. I gave my Spanish a good crack on this trip and must say considering it’s been over 20 years since I really used it, I left Chile being able to understand near everything that was being said or at the very least getting the gist of the conversation. There weren’t many Chileans who knew English, so there was really no opportunity not to use what I did have. In fact I was trilingual on this trip as there were a number of French artists who were a part of the project. Knowing more than one language is so important! I’m thinking that I will go and join a Spanish conversation class or group just to keep it up. What with all the spare time I have!
It was my first time in South America. Having always travelled alone, I never wanted to do South America or Africa on my own so never went to either. I have to say Chile is a great country to travel around. Easy to just get on a bus and go anywhere. If I had more time I would have liked to have gone north to the desert to see the night sky and south to perhaps Chiloé and further south into Patagonia. Alas, time was not so kind to me and I had to come back to be responsible – work and raise my kids! Not that I mind. Next time I will bring them with me. Travel affords a certain perspective on Life and my kids are now at a good age to travel. Though they have done a pretty good amount of travel already. Nevertheless, I came back from this trip thinking of all the adventures I’m going to go on with the kids this year. It is after all the Chinese New Year of the Horse (Happy New Year!) and I intend on getting back in the saddle (see what I did there?!). I fell in love with the prawns in Chile. They know just how to cook them and my fave dish was a prawn and garlic dish. Heavenly! Papas Fritas made it to my table on several occasions, of course because anyone who doesn’t like hot chips is weird. Port workers were on strike for pretty much the entirety of our stay which meant that all the agricultural products stayed in Chile. Their fresh produce was amazing! Massive, seriously I bought an onion almost the size of my head!! The avocado was sweet, luscious and oh man… nothing like I’ve ever tasted! And everything tasted better with watermelon or rockmelon for dessert.
The first day of the project arrived. Susan and I had already nestled into our lovely 2 bedroom apartment in the heart of Santiago. We were up early, navigated the metro during rush hour and we deserve a medal for being the well oiled machine we came to be!!! Seriously, if ever you had issues with personal space, the Santiago metro system just beats it out of you. We finally made it to the Municipal Building of Puente Alto after a few wrong metro station turns, which we would call work for the next 12 days and were greeted by the masses of artists (all 58 + any hangers on) from 22 countries as well as Team Chile (talking of well oiled machines!!). The official opening was officiated and we then set about deciding on where we were going to be creating each of our mosaics. Chaos ensued and for the most part, it was agreed that our numbers on the final list of artists would be where we would be situated along the wall. There was a fair bit of chopping and changing as a number of artists had come as a group and so therefore wanted their panels all next to each other. I think for the most part everyone successfully located themselves a section they were happy with and the drawing begun.
Isidora and her team had already spent the weekend sketching out images on the pre-prepared walls along the theme of “Magic Garden” with images of local flora and fauna. I’ll be honest and say for me, I found this really off putting. I guess because I was expecting a blank canvas and I still didn’t have anything in mind for a design. Just a few ideas milling around my head. It also hadn’t been made clear that these images were to be used as a guide only so I felt like I had to use the image of the daytura on my section somehow. While everyone was busy sketching out their final designs, I was still struggling with the daytura and left day 1 not feeling great with my lack of design as I hadn’t done anything that felt real to me. Later that evening, in the cool of our apartment it took me all of 5 minutes to sketch out what I wanted to do. Struggle #1: working amongst a lot of people, outside in the heat and chaos that is a group project was really difficult for me! I couldn’t concentrate. Turns out most of us were going through similar emotions and doubts of our abilities. Most of us are lone rangers, working in the comfort of our studios alone. It was interesting hearing that I wasn’t the only one who at first had a hard time with being comfortable in this new environment. By the end of it we were all fine but this was an interesting obstacle some of us had to get over. I should also mention that the way I work involves a lot of procrastination. That said, that procrastination is me thinking a lot. Arguably too much. But I spend a lot of time on design concepts etc. drawing and redrawing. Once I’m happy with my design I can then come out into the world and start to play a lot more confidently. I simply didn’t have the time for this to-ing and fro-ing so I’m particularly happy with the fact that I managed to get something on the wall, didn’t use one of the Chilean artists to do the sketching for me and that my design echoes me and my own sentiments. It’s definitely my style.
Day 2. I had come at least with an idea in mind! Win! I then went back and forth about this daytura… again. I put my head up long enough to see what others had done so far and spotted a gnome. It was at this point that I decided to completely eliminate my struggle with this daytura and go with my own design as so many other artists had already done. I realised that other artists were considering Magic quite heavily in the theme of Magic Garden too. The whole concept of realism freaked me out as I don’t do realism. It isn’t my thing, I have no interest in it though can still appreciate it. It was also apparent that all the other work was very colourful, showy and attention grabbing, As soon as I freed myself from using another person’s drawing, everything fell into place and I also made the decision that I would create a piece that was still, calming and more subdued in contrast to what everyone else was doing. I sketched the outline up on my section and started cutting and laying tile. Phew. I felt like I was getting somewhere. I also had a better look at the tile that was available to us. There was a shipping container full of ceramic tile across the road in a carpark. This is where we would have to go to get our tile and where we all packed our things at the end of the day. Team Chile did bring our buckets to us of a morning and of an afternoon packed away anything we weren’t using but ultimately we were responsible for getting anything we needed and putting it all back at the end of the day. At first glance there appeared to be a lot of different colours. Thinking about it now, we actually were quite limited in our palette. All the colours were well represented but I don’t know that there was a large variety of each hue. We also ran out of certain tiles fairly quickly and these were not replaced so the challenge was getting what you needed ahead of time. It resulted in some resource guarding issues! I went back and forth on colour choices and for the most part was lucky enough to be able to find what I wanted/needed. I did have to go scavenging in the last few days for a particular green and managed to find just enough. Tile was an assortment of 6-8mm ceramic varying from mid to high fire tile. I seemed to use a lot of the hire fire tile which is where my Starretts came in very handy!! I actually dislike using low fire tile I must say and don’t stock it in my studio for many reasons. Some of the tile I would never think of using if I ever saw it in a tile shop. It was a real eye opener as that same tile ended up looking great within the mosaics. I’ll certainly be selecting tiles with a different approach I think! I beleive it was Day 2 that the Mayor put on a luncheon for all the artists at a nearby park. We were given a lovely Chilean dish called Pastel de Choclo, some good Chilean wine (I’m a fan of the red!) and fruit to finish it all off.
Day 3 & 4, I was still setting tile but it didn’t look like I was getting anywhere. I did start to feel a little concerned that I wouldn’t finish in time. There was no consistent information coming through about whether it was expected that we complete our mosaic. Some said we didn’t have to do the background, others said we did. What we knew for certain was that Team Chile would be grouting. I had set myself a few goals in doing this mosaic: one was that I wasn’t going to use the local artists to draw for me, the other was that I really wanted to complete the mosaic, background and all so I had to keep my design along the KISS principle. I was still in two minds about grouting – I never call a mosaic complete until after it is grouted so I was struggling with the idea that we were not going to be able to grout our own mosaic and I really wanted to see my finished work grouted as the grout can make it look so different. That said the upside was that we were not going to have to grout our own mosaic. In the words of the effervescent Susan Crocenzi: “It’s hard being me!!”. It was finally on the fourth day that I also gave up on wishing/arguing with myself that I had not brought over particular materials. I don’t think I have ever not used mirror in one of my murals. It’s just a given for me. I would have loved to have used mirror, especially coloured mirror in my mosaic. I did almost go buy some plain mirror and then decided no, I was being silly and really didn’t have the time nor the tools. Things would be OK… My neighbour Wendy Phillips and Kim Porelli gifted me with some small glass gems that I did end up using and am very grateful for!
Day 5 – I started setting tile on the big mushroom cup. I spent all day and got about a third of it done. As much as I wanted to keep things simple, I didn’t want it to be totally boring either so I decided to go for a really flowy mushroom. I’m really glad I did.
Day 6, being a Saturday was only an optional half day work day. Susan and I did a bit of sightseeing before heading down for some further work. It was a lovely day as there were only a few of us on site and therefore less chaotic! I managed to get more than I expected done on the mushroom cup. We were then invited to a play that evening as one of the scheduled events. I decided to pass. Exhaustion had started to set in. A week of working in the sun and mid 30 degree heat had started to wear thin and I needed to be alone.
Day 7: day of partying at Isidora’s. It was her birthday throughout the week and she invited us all over to her place for festivities and swimming. I swam and slept by the pool most of the day.
Week 2 was an even busier week and we knew it would be. There were events lined up for every night with artist’s presentations and dare I say it, some that went way too long!!! Please people, keep to time and relevance when giving a presentation! Going over time and under relevance meant that presentations were pushed out to another night, which was then declared that they would occur the following night so I left. As it turned out, people changed their minds AGAIN, the presentations went ahead and I missed seeing Laurel True‘s presentation. I WAS SO BUMMED!!!! And yes I did get over it but I would have much preferred her presentation over some of the ones I did stay for.
The mayor also put on a cocktail night for us in the same park as the luncheon we had that included traditional Chilean cuisine as a tapas style finger food, wine and dance on the Thursday evening. Everyone was working towards the official opening on the Friday, 7pm. By Wednesday I felt certain that most of us wouldn’t finish and Team Chile would have to step in after we had left. I was wrong. A number of artists worked until the absolute last minute, but Friday was my favourite day. Everyone came together to pitch in and help. It was evident throughout the 12 days that some artists took a dislike to each other – not surprising where big egos are involved! Friday saw everyone pitching in and assisting everyone. I had already grouted my piece as I came in on Thursday absolutely determined to finish setting tile. It meant that I didn’t speak to anyone all day! Literally head down, bum up as we say here! So Friday I was a lot more relaxed and pottered around pitching in where people needed me. I helped Wendy and Kim next door to me, assisted with Susan’s background, cut and filed some leaves and set tile for Sherri Warner-Hunter, set tile for Laurel True and even got to poke in some glass rods into Stephanie Chatelet‘s mosaic. During all this time Team Chile had completely covered the front of the building. They really are a well oiled machine. I havn’t seen a bunch of people work so well together. Always laughing and having a good time, and they work fast!
Well, by Day 12 we did it. It was a whirlwind of an experience, but we did it. There were many hiccups in the running of the event from either the management of or artists having personal belongings stolen, but it will be all the better for the next intervention (rumoured to be happening in Germany!). The only thing I didn’t understand was the blessing of the mosaic given by a priest at the opening. I am always “when in Rome…” when I travel, but that was kinda weird. I saw the priest come up to the podium all dolled up with his Bible so excused myself to drink in the finished artwork. What I later found out from one of the Argentinian artists was that while the priest was blessing the artwork on the Town Hall, he also blessed the people who showed up to the event including us artists. He then went on to damn those who had not come to the opening to Hell. Dang! Even my local Chilean friend thought that was odd as Chile is these days relatively diverse in its religious views and not usually so…. evangelistic.
So now that I’m back home I ponder my time there and ask what I got out of it? Would I do it again?
I can’t actually begin to say what I got out of it. I feel like I grew as an artist. Maybe I’ll feel that impact more as I begin work again because I learned so much from watching such a diverse group of artists work. I’m pretty sure, in fact I know, that I will approach my future projects differently. I learned a new way of seeing a mosaic and setting tile that I will start to use more in my practice. I learned a new method of double direct mosaics. I learned a whole heap more about myself: how shut down I am in certain social situations (let’s be honest, big crowds freak me out. I’m definitely a one-on-one kinda gal and have always known this but that is also the left overs of surviving an abusive relationship – still working on it after all these years!), that I don’t need to procrastinate as much as I do in order to output decent work, that I allowed myself to get easily caught up in Life and forgot to make mosaics more of a priority, that self-doubt is normal with most if not all artists, that I’m not in any rush to make another mosaic direct, in situ even though I never thought I’d miss sitting on a bucket in the heat and sun nipping hard tile!! haha!! Would I do it all over again?! Hell yes I would! Let’s hope Isidora continues to find funding for mosaicing public buildings, lol! I can’t ever see the same thing happening in Australia, as much as I’d love to be part of organising one. What I did realise with the limited travel I did in Chile is that the people there have an appreciation for the arts that is VERY different than the appreciation here. Art appreciation here is sterile. If it’s not in a gallery, or the public art is not funded by the government or some exclusive high end organisation and made of brass or some such, it’s not art. Everywhere I went in Chile, there were murals, mosaics, you name it, it was everywhere. People liked it, expected it, accepted it and fostered street artists in particular with all kinds of festivals. When a new mural goes up, that artist rarely sought permission if ever. Street artists there are well known and appreciated. Their work is not painted over without permission. How awesome is that?! We have some awesome street artists here in Canberra and the popular views of their work is not the same! This is something I’d like to see changed as the benefits of having art in our streets seemed to me to be bigger and better than not having it. Maybe the biggest revolution we can stage as artists is to head out to our local places and colour them in. I’ve been wanting to do this for a long time and have always thought, what’s the point? It’ll only get buffed tomorrow. But maybe that is the point. Maybe the point is to colour in our world only for it to be taken away for people to realise that they are in fact missing that magical something. Like what happened in Turkey!
I really think that the magnanimity of this project is yet to be realised.
I’ve posted pictures of the entire project on my Facebook Page in an album called Chile Intervention 2014. It will save me a lot of time not having to upload them here, which means more time getting back to actually creating mosaics!! 🙂 I still have to finish my mural that has been a WIP for far too long. Not much more to do so I’m getting offline and creating! Next in line after that is a mosaic dedicated to my Dad which has a deadline – my Dad’s birthday! So… time to get busy!
Here is the day by day of my mosaic from the project as well as the final image, larger.
2013 y’all! I still feel like I’m in the 90s. Or maybe I’ve finally arrived at “that” time in my life – being stuck in a particular time warp.
Quick catch up! I miss this place. Where once upon a time I blogged every other day or week, it has seriously fallen off my radar. But, this year is looking to be ah-mazing! After a particularly difficult 2012 where I fell into a bit of a funk and didn’t know how to get out, things bubbled up and I found the courage to make many a change and potential difference in my life and that of my kids’. Even if these changes are not supported, not successful, I’ll know that they have made a positive difference and that’s all that counts. Turns out that taking out the trash is a very cathartic experience, especially when the trash was just someone else’s crap that they dumped in my backyard. We are all in such a good place. Finally!
So what has 2013 got in store for me?! Well good question, but here are some of the things I am super excited about it:
I have an intern/assistant for my personal projects!! Still in discussion phase, but looking good! 🙂
Teaching online. Yes!
Visiting artists! Yes!
A new community project with students at Chapman Primary School – Yeah!
Nearly coming to an end of the community project with the Queanbeyan council and there has been discussion of possible further projects with them. Yes!
Mosaic Symposium in Melbourne August 23 – 25
Last year I asked one of my repeat students if she’d be interested in assisting me in some of my personal projects. I’m hopeful this will work out as she’s truly lovely and I really like the way she works. There will be an introduction soon! I’ve been re-working an old design, getting what was in my head out on paper, based on my sister’s mermaids. Just a couple more elements to add and she should be ready to go – though the enlarging on this one will be interesting… It’s a big’un.
Teaching online? Mmhmm! This has been running through my head for some time now and out of the blue one of my first clients who commissioned me to make Odette, got in touch to ask if I’d be interested. So the rundown is this – AU$75/hr. I use either Skype or Facetime. I will cater the lesson plan to your needs/your project and also generalise the information where appropriate so that you can feel confident that what you are creating will last in the area that you live. I am not one of those teachers who tells you what products to buy and then leaves it at that. I get into the details of what to look for in a product and why so that no matter where you are in the world, no matter what the climate is, you have the know-how to source what you need for the project at hand. I feel this is a much more empowering method of teaching and learning. I also include class notes as a pdf. Interested? Email me!
VISITING ARTISTS! Wow, I have THREE (3) confirmed visiting artists this year!!! I know, I’m so excited. Canberra, we are so lucky. Really!! All three artists have very different styles so I think they complement each other well. In addition, all three have been teaching and creating mosaics for a number of years and are well respected in the mosaic world (and further afar too as a matter of fact!)
Susan Crocenzi will be teaching her popular class “TEMPERED, TRANSPARENT & TEXTURED GLASS AND POLYMER CLAY TILES” August 30, 31 and September 1. Susan hails from Northern California in the USA. If you have ever been to one of my classes you will recognise one of the below pieces, Crossroads, which she made for me back in 2008. It sits on my wall in my living room. Hard to miss really and always admired. Don’t miss out on this opportunity! I don’t know when or if she’ll ever be back! Places are limited. Besides, the reunion of Susan and Crossroads will be a thing to behold!
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Also on my list of Visiting Artists this year is Marian Shapiro! She had such a great time last time she was here that she has agreed to come back!! This time Marian is going to demistify “WORKING WITH SMALTI”. I. Can’t. Wait. Because yes, I’ll admit I am a little skeered of the stuff!! This class will be held November 8 – 10 and students will need to come armed with about 1.5 kgs of smalti to create either an indoor or outdoor wall hanging. Smalti Australia has agreed to a discount for all registered participants! If you happened to take Marian’s class in 2011, Creating 3D Susbtrates for Mosaic, you are welcome to mosaic one of your substrates in this class!! Great opportunity to complete a project! Let’s face it, we all have unfinished projects…
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I’m happy to be able to announce that I’ve just secured a third visiting artist. Timing is of the essence on this one as Carol Shelkin will be in the country from the East Coast in the USA around the same time as Susan. I know, hard on your wallets people, but seriously these are two AH-mazing artists who won’t be making their way back to Australia any time soon!!! Christmas must come early and you don’t want to miss the partay. They each have their own style, their own teaching methods, their own everything. It’s, simply put, not to be missed. Carol’s class is titled “MAKE YOUR OWN MOSAIC WORKSHOP!” She will teach the use of modern mosaic techniques to understand structure, cross contour, highlights, colour, gradation, value, composition, design and types of shadows in realism using Stained Glass. Students will learn how to mix glass values and colors to define planes, and how to use colour most effectively with artist tricks. If your interest lies in creating realism in mosaics, then there’s no one better to learn from in the contemporary mosaics field today. Carol’s class is slated for August 18 & 19 (a Sunday and a Monday). So… think about putting in for leave now! 🙂
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Check out my website for full details on the Visiting Artists Series and check back for Carol’s workshop – my copy of Dreamweaver has just gone bust so I’m unable to update it immediately!
Community projects? Yep – They’re continuing! 🙂 I’ve just been commissioned by Chapman Primary School to work with staff and students there to create three murals that will be permanently installed out the front of the school. The murals are all in celebration of Canberra’s centenary. Exciting stuff! Themes for the three of them have been decided upon. It’s now a matter of designing, enlarging and coding the murals for a term 2 start (no biggie!!). Deadline is the beginning of term 4 with an unveiling in Week 2 of that term as this is Children’s week. We even have rosters ready to go for all students in all years and when they will work on the mosaics. I love how organised this school is.
We’ve just completed the seventh panel for the Crawford st precinct. Pretty satisfying! The kids and staff at the Axis Youth Centre made their panel, mostly independently of me. They should be really proud of themselves! I think they did a great job. I’ve also just got the Landcare group started with theirs. Their theme is River Life. I’m looking forward to how this will turn out! A few finishing touches on the design for the HOME in Queanbeyan panel and the design will be hopefully OK’d by them! Last but not least is a playgroup of 3-5 year olds! Design yet to be determined, but as the playgroup is for Indigenous children it will involve Indigenous elements. 🙂 Almost there!
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The Mosaic Association of Australia and New Zealand (MAANZ) is hosting another Symposium, this time located in Melbourne. I will be there. Keynote speaker is UK craftivist, Carrie Reichardt (not Dusciana Bravura as previously advertised by MAANZ). Carrie is AWESOME!!! It’s going to be pretty bloody amazing! I was lucky enough to grab one of Carrie’s flying eyeball mosaics last year. Proudly hanging out the front of my home waiting to be included into a larger mosaic.
Grab life by the cojones! That’s the theme for my year! Life is too short.
I mentioned in an earlier post that Crystal Thomas allowed me the use of two exercises from one of her e-Tutes for the class I taught in Grafton. I’ll make note that I did specifically ask her for this along with a payment to do so (ie: I didn’t just use them) and I thought it was worth writing a blog specifically on these e-Tutes as I found them so very helpful.
Crystal currently has three tutorials:
A Mosaic Flower Tutorial (Check out her flowers, they are done in a layered style and are just beautiful – I own one!!) US$14!!!
An Andamento and Keystoning workshop (SUPER cool and excellently (is that a word?) explained with a ton of exercises, including the “answers” to those exercises – you simply cannot do without this one!! It will change the way you work for the better!) US$18!!!
Mosaic Skulls 101 (Cyrstal’s mosaic skulls are one of a kind) – US$12.50!!!
You are also able to purchase the Andamento and Keystoning workshop with Crystal’s Top Five Tips. I think it’s great to get tips from different artists. It’s always interesting to know how certain people like to work. Crystal is not currently offering any teaching, either as a group or individually, but does plan to do so again in the future so stay tuned. In the meantime spend next to nothing (seriously all these tutorials are worth more than this!!) and purchase all three tutorials.
So I finally got around to transferring a design for a mural the other night. I have motivation AND I have energy. It is such a welcome return. Love what Spring can do… I sketched out a design three years ago and it got shelved due to other commitments, lack of sleep etc… For me, the hardest part of anything is the design and for large scale stuff transferring the design and all the prep involved beforehand. One part of me wants to get it all exact and be overly prepared, the other just wants to get a wriggle on. Anyway, the hard part is done and I can’t wait to get a start on it. The mural will be about 2.3m W x 1.6m H. It’s going to be located on my home, in an area that has come to be known as the Secret Hideout. I have a gorgeous Japanese maple that grows out front, perfect for climbing and of course come Spring and Summer no one need know if you are in that tree, watching the world go by! It’ll be great because the tree loses its leaves in Autumn (when it becomes our Not-so-Secret-Hideout). I kinda wanted a feeling of entering another hidden world… I think it’ll be a lot of fun. The first of four murals intended on my home that I already have designed. I’m sure more will probably come, but I need to start somewhere (says my more patient self). Next up after this one will be another mermaid…
Tomorrow I leave for warmer Newcastle, en route to Grafton to teach a six day workshop as part of the Grafton Artsfest. This is their last year in operation so I’m happy to be a part of it again this year. The workshop I am teaching is called Mosaic Sampler: getting back to basics. It should be a good week, with lots of information and hopefully lots of mosaic making using different techniques… I am overfull, so I’m really pleased that the class has been a popular attraction. My car will be chockablock full of all sorts of things. My tile guy has been awesome as far as providing everything I need. Pretty sure the only thing he hasn’t provided is the kitchen sink, though I’m sure he could work with me even on that one!! Looking forward to warm weather as it is still touch and go here in Canberra but I’ll miss the Jacarandas that begin to flower a week or so after the festival. I love Jacarandas – one of my favourite trees! I’ve been lucky enough to have a couple exercises from one of Crystal Thomas‘ eTutorials included as part of the week which I think will greatly assist in cutting and setting tile. If you havn’t already seen her eTutes, I strongly encourage you to take a look at her site and buy some! They are very, very affordable and are a wealth of information. It’ll change the way you work – for the better! Thanks again Crystal! Mwah.
I met with the primary school that contacted me the other week. What a great meeting – the principal, teachers and parents totally got what community means and what art teaches our new generation. The principal made a note of saying that she didn’t want any of the students (~460) to have token involvement. That did it for me right there. Respectful, kind people. My heart beats a little more solidly knowing there are good people in the world who truly do care for our youngsters without letting their egos get in the way. I havn’t been asked to provide permits that don’t exist, nor a bunch of other unnecessary paraphernalia. I hope I’m successful with the proposal I have put forward as it seems like it would be a wonderful relationship. The theme of the project was already agreed upon (macro garden) and I’ve already actually created a design for the feature wall that will also allow for each child’s addition in and around the main mural!! So exciting… but I need to pace myself 🙂
If you’re interested in learning how to create a mosaic mirror from scratch using predominantly glass tesserae (vitreous glass, stained glass, glass gems etc) then I will be running a workshop in November. Dates are Saturday 20 November (10:30 – 4:30pm) and Sunday 21 November (10:30 – 4pm).
You will learn how to cut out your final shape using a jigsaw and learn how to cut different kinds of glass and assemble the mosaic. The class is catered to creating a piece with an approximate dimension of 40cm square. Get creative, though, and think about making a mirror where the mirror itself is off centre, use strips of mirror instead of a block piece etc… Get funky and deviate from the normal square/rectangular mirror! There is no grouting in this class so if you have not grouted before I do recommend signing up to my Grout Clinic.
Cost is $185 + a $45 materials fee. Check my website for more details and if you want to sign up then email me!
One of the great things about teaching mosaic workshops is that I get to meet some really wonderful people, all from different walks of life but we all converge over two days to explore mosaics. I feel so lucky! Really. So I decided that I would start a new series to spotlight some of my students.
My first post in this series is to introduce you to Robyn Fetter, who came to mosaics late in life. She always had a latent interest in the art form but no time to indulge in it, or as she says no confidence to tackle it.
The catalyst came with the drought. Robyn is a passionate gardener and they have a lot of lawn. In common with a lot of other people living in drought stricken Australia she wasted a year or two grieving for lush green lawn before it dawned on her that the devastation could actually be viewed as a creative opportunity. “If we have to reduce the area of grass, paving is one of the most visually pleasing ways of doing it, and mosaic pictures and patterns set into the paving would be essential to break up the expanse. At any rate, this is how I presented the idea to my husband.”
Robyn started by enrolling in an 8-week evening course in very basic mosaics. It begged more questions than it answered, but she found it tremendously exciting. It was taught in part by Tina van Raay, another local mosaic artist. Robyn says, “It was at this stage that I started haunting the tile shops and happened to be there one day when a station wagon pulled up with the Kim Grant Mosaics sign on the side. Kim was scavenging for tiles with a girl I used to work with, who introduced us, and ensured that I got one of Kim’s business cards. When I saw her website I knew that sooner or later I would have to attend some of her classes because this was my idea of how mosaics ought to be – precise enough to give you confidence that this lady is completely in control of her medium, but also quirky and whimsical. I was keen to avoid the ‘smash ‘em up and slap ‘em down’ school of mosaics with acres of grout.”
Robyn also started amassing books about mosaics and found Teresa Mills very helpful for a beginner. “She gives precise, detailed instructions that encourage careful cutting and placing, and this is what I was concentrating on in my first project – the geometric design. I freely admit it’s very anal and unexciting, but I was struggling to get the shapes and measurements right – with variable success, but at least it was a start.”
With the penguins, another Teresa Mills project, Robyn felt relaxed enough to play with the design and insert her own creativity with the sky and water.
“You will be wondering what these works have to do with enhancing the paving in our garden. I’m intending for these practice efforts to hang on the fence, which also badly needs beautifying, and have made a start on decorative paving stones to be inserted in paving in the garden. Baby steps at the moment, but I have big plans.” 🙂 I never fail to get excited on hearing some one with “big plans”!!
Robyn also knits, sews, crochets and embroiders. “All these things, including mosaic, and particularly gardening are, in my case at least, compensating activities for not being able to draw or paint. I am passionate about them all and would find life very grey without them.”
She is indeed very passionate and I look forward to seeing all her future mosaics!
Thanks so much to Robyn for letting me profile her!! I will say it wasn’t without a little encouragement as she felt her mosaics were not ready. I disagree! They’re as fabulous as she is.
Kim Grant Mosaics - Mania & Mischief 