Artist Watch: Ilona Fried

I’ve always been quite fascinated with Ilona and her work and I was excited that she agreed to be a part of this series. I’m deviating from the norm this time around – here’s her story, in her own words…

Although I used to do a lot of drawing as a child, I did not consider myself an artist for most of my adult life; periodically I would dabble in some art form or another, usually ceramics and photography, while working in various professions…I won’t bore you with the list!  I was drawn to art but was also a bit apprehensive about pursuing it – in fact, about 10 years ago one of my photography instructors pulled me aside and said, “I think you really want to be an artist.”  I felt as if he had revealed some deep secret and
although I did not pursue photography as an art form his words stayed with me.

Fast forward to 2001 when I was working as a management consultant and traveling a lot. When 9/11 happened I really woke up to the fact that life is short and that I no longer wanted to be doing a stressful job that I did not enjoy. To quell my anxiety about the future I started designing jewelry and months later worked up the nerve to resign and start a jewelry design business.  I loved combining color, shape and texture in my jewelry and finding new materials to use, but after awhile I felt limited by the jewelry format as a means of self-expression.  I wanted to work with color, shape and pattern on a larger scale and to create fine art. Although I had taken a few painting classes over the years, the medium did not grab me.  Mosaics seemed like the natural next step in my creative path, allowing me to continue working with my hands and with a wide variety of tesserae – beads, ceramic, glass, stone and more.

I took my first mosaic class in 2006 in a community education program – the instructor showed us how to cut and what adhesive to use, and that was about it.  Not completely satisfied, I decided to study with the experts and in the spring of 2007 went to the Mosaic School in Ravenna, Italy.  There I was very surprised to discover that even I could cut teeny tiny pieces with a hammer and hardie!  When I returned to the US I saw a call for an all-mosaic exhibit in the Boston area, where I was living at the time.   Back then I had only made a handful of mosaics and two were accepted.  I was thrilled! One of them sold after the show ended.  That helped me take my mosaic making a bit more seriously. And having one of my pieces published in Brit Hammer’s “Mosaic: Finding Your Own Voice” inspired me to keep going, as have all the many wonderful mosaic artists I’ve met at SAMA conferences and online. I really enjoy using an ancient medium to express contemporary themes and being part of an international community of artists; I’ve traveled to two dozen countries and lived overseas a few times – in Hungary, Ecuador, and Mexico – and so I welcome any mosaic-related opportunity to get on an airplane.

About a year ago I thought about relocating to Colorado where I could pursue another passion: hiking.  The “Art Gods” were on my side – I found a terrific studio in an artist building during one of my exploratory trips to Denver.  So I packed up and moved here.  Being outdoors in stunning scenery helps me recharge and gives me ideas for mosaics. Some of my abstract pieces are inspired by mountains and how I feel when I’m at high altitude – completely at peace with myself and deeply connected to the world. Sometimes I am able to experience that same feeling when I am deeply engrossed in making a mosaic. Life doesn’t get much better than that!

Just love this portrait, everything about it is so great!

Ilona’s website is a treat: clean, organised and well presented, do check it out. It’s everything I love in a website, especially the art! 🙂 If you’re on Facebook, become a fan of her work!

Finally meet Ilona –

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Another Mural Under the Belt, Spring Class Schedule & Tempered Glass Class

I’m done, I’m really, really done!

Well, I kind of cheated and decided against doing the fish… for now. She looks complete without it and I am swimming in other mosaic ideas and wanting to get a start 🙂 Am really happy with her, and though no name has come to mind, I know it will come, perhaps one day. In the meantime it is Mermaid & Octopus (!). How creative of me.

So I am releasing dates for an early Spring schedule, as I have had a number of enquiries.

• Exterior Mosaic Basics – the last weekend of August, Saturday 29 and Sunday 30
• Tempered Glass Mosaics – Saturday 12 and Sunday 13 September
• Interior Mosaic Basics – Saturday 26 & Sunday 27 September

Just to give a brief explanation of the tempered glass (TG) class as most people are perhaps unaware of the term here in Australia and for the most part are unaware of its use in mosaic. I believe we call it safety glass, for the most part. It is the kind of glass most commonly used in shop windows and, here at least, occasionally used for (the expensive) shower screens. When it breaks, it crumbles instead of breaking into sharp shards hence the safety aspect to it. For a concise definition of this kind of glass check out this manufacturer’s website.  Of course, as mosaic artists, we use it broken. Great for memento mosaics, it also has other broader decorative uses too. Come check out the class and make a mosaic slightly left of centre! Pre treatment, broken tempered glass looks like this:

Post treatment, here are some examples of its use in mosaics from mosaic artists on Flickr. You can see more in the Tempered Glass Mosaics Group. (All mosaic works are copyright to the artists and like everything not to be used without express written permission. Please be inspired rather than copying).

Ilana by Susan Crocenzi

Knot a Swirl by Lin Schorr

Unrequited Love by Stacy Alexander

Diversion by Crystal Thomas

Latte Heart Valentine by Lori Desormeaux

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Artist Watch: Irit Levy

I only recently found out about Irit Levy‘s art. I immediately felt a sense of shame as to how I could have possibly allowed her to fly under my radar! The first mosaic I saw of hers was the tree she made for Christine Brallier, a tree trade 🙂 I’ve been hooked ever since.

For as long as she can remember, Irit always painted and drew. As a young child, she surrounded herself with all sorts of paper and different types of paints and crayons, even creating art from glass as an older child. “With no internet or TV this was my easy escape from boredom”. Irit discovered her local glazier who would give her some coloured glass offcuts which she then cut and glued, “Of course it didn’t hold long. Who knew then about different types of glues…”.

As a young adult, Levy studied painting at the art academy in Israel. She later went on to pursue Economics and worked in this field for a number of years before returning to a different art academy, again in Israel. It was here she met Doron Bar-Adon, who she claims has the most influence on her art today. It wasn’t until leaving Israel that she discovered other mediums, taking pottery very seriously. “Though I had done pottery before, it was actually the first time I dived into “brushless” art. I think that without knowing it yet then, it was at this moment that I was opened to different types of art”.

It wasn’t until mid 2006 on a visit to New York City that Irit discovered mosaic as an art form. “I stumbled, by chance, onto the Sicis showroom. The beauty of this place really hits you. After I started breathing again I knew I was going to do THAT. It took me a few more months and in April 2007 I did my first mosaic.”

“The process of making a mosaic is totally the opposite of painting, of the way I was painting. I was painting big and dirty, no plans in advance, no early sketches and very quickly. With mosaic I am going more and more into the direction of no planning. If I want to make a rhythm in mosaic I need a little planning as I can’t have that rapid brush stroke as I did while painting. I am still dirty and messy but the process is slow and I feel so good with it. I feel that I am growing into the work, that it becomes more and more a part of me.”

Irit’s claims of being impatient and impulsive means she also works on several pieces simultaneously: “… otherwise I couldn’t survive the pace of the mosaic art process.”

Irit has experienced the loss of her art throughout her life, from destroying it herself to burglary: “I am very connected to all my art. If I don’t like something, I destroy it. I don’t keep things I don’t like and I won’t have others have them… Sadly, over the years, I lost a lot of art I didn’t intend to lose. My parents destroyed all the art I did until I left home at the age of 18. I could never figure out why. The second time I lost my whole work was when I was in my mid 20’s when burglars stole all my art in my apartment.”

Irit will be exhibiting 2 of her paintings in the prestigious Biennale in Italy soon. Here is an excerpt of what one of the curators wrote about her work, which Irit feels also applies to her mosaics:

Irit Levy is a highly thought provoking artist, whose art reflects a strong existential contemplation of the world and of ordinary objects. (…. )   “Over the years my art changes as I experiment with new materials and new approaches.  What remains most similar in my art is the backgrounds. My works often show a certain emptiness. The backgrounds are large and usually have a character of their own and at times the content of the paintings seem to be floating. For me, the backgrounds are no less important than the content, in the same way that unspoken words are no less important than spoken ones.”

Cool huh?!Check out her Flickr photostream for more visual stimulation and head over to her awesome blog where she documents her work.

Love her work… just love it!

Finally, meet Irit:

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Artist Watch: Rebecca Collins

I was looking through one of the mosaic forums the other week and came across one of Rebecca Collins‘ octopus pieces. Thinking I had seen it somewhere before (yup, flickr!!) it still struck me and I couldn’t stop looking at her work. There’s something so free about her mosaics and I can’t quite put my finger on it. Anyway, of course typical immediate reaction was that I needed to know a little bit more about her, the artist 😉 So here goes…

Already coming from a creative background (she’s a full time digital pet portrait artist – and I have to say I love what she does there too!! Check out her website), Rebecca discovered mosaics in 2007 when she took a class with a girlfriend on a whim. She’s been hooked ever since. Although she has mentioned before that her works are not intricate or exacting, I would beg to differ. She has her own unique style and it is free, but still very exact. There’s messy and then there’s messy! Of which her work is neither, in my humble opinion. “When I took my first mosaic class I was not sure if I would have the patience or the ability to sit still and work on a piece slowly. It turns out that my impatient nature does show through in my work as I tend to work fast creating loosely cut works with tons of tiny tessera. I do not get horribly bogged down in a desire to create elaborate intricate or exacting patterns. I love it when I see that type of work, but I could never go there.”

I love how she layers her work, how there’s such a bohemian feel to it (and I mean that as a compliment!, not wanting to categorise inappropriately here). She does what my anal self would love to be able to do but finds very difficult to just let go. This statement pretty much sums up what I love about her work: “My interest is in combining layers of collage images and text underneath glass. I use my computer skills to create digital paintings that get collaged with text and other elements for a rich look. I also will create watercolors from scratch and then scan those into the computer and work on them in Photoshop and then print them out to incorporate into my mosaic designs. I enjoy the back and forth of using traditional tools and media along with the computer and all that it offers.”

Her mosaics are, for her, an escape. Dare I say, a hobby. It is her part time passion and she is reluctant to really market her work as she doesn’t want to turn it into a “job” of any sort. “I do love my full time business of creating pretty dog and cat portraits and yet mosaics are my escape from that create-on-demand world. I think that is one reason I often choose squid and bugs as subject matter. I know that nobody is going to ask me to create a mosaic for them of their pet cockroach.” 🙂

However, due in large part to the generous support of her mentor and teacher, Katrina Doran, this year has marked the beginning of taking her mosaics more seriously. Doran curated a show called Exquisite Creatures: the Mermaid and Octopus show. “Seeing my work under gallery lights was just a great feeling. I hope to show more in the future and to start exploring new subjects. I have some outer space theme ideas on the back burner that I want to jump on soon. Like most artists I always tend to have more ideas than time.”

I am absolutely enamoured with her work!!! Colour, texture, layers, vibrance… it has it all!!

More info about Rebecca and her work  can be found via her blog and Etsy shop.

One of my faves!!!

And finally Rebecca, with Ajax…

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Artist Watch: Laura Harris

Laura Harris of Melonhead Gallery, was first “introduced” to me by Carol Shelkin. An email from Carol, read, click and… POW! I was literally blown away. That hasn’t happened to me, to that extent,  in a long time. Her work is magnificent. To be perfectly honest I grapple for the words that describe how I feel when I view her work, and that is all in a photo on my trusty ol’ computer, so I can’t imagine what it would be like in person.  She is in my mind a Mythmaker, to borrow a term from the righteous James Hubbell.

Born in Wisconsin she is the daughter of late Midwest sculptor/painter, Walter Lenz.  Laura has been working in mixed media, including fiber art, acrylic art and mosaic art for over 25 years.  More recently, Laura has concentrated on mosaic portrait art.  Using a preferred direct method of application, her choice in tesserae include venetian and dichroic glass, 24 Kt. Italian gold smalti, porcelain, ceramic tile, mirror, stone and salvaged or recycled materials.

Laura’s career was not always limited to the field of art.  She worked as a speech-language pathologist for over 15 years and was recognized in 1998 as one of the top 5 teachers in Wisconsin for her efforts in the field of Assistive Technology and voted New Berlin Public School Teacher of the Year in 2001.

Laura got into mosaics in 1985 after having to quit teaching due to her worsening Multiple Sclerosis. She has risen above her physical limitations, as her artwork shows, but also in her attitude towards her MS: “I can’t feel all of my cuts so I guess there is a silver lining in everything, you just have to look for it.”

Her father has played a vital role in her life as she states: “I have been involved in art my whole life. My dad was an artist and a strong influence. I remember even as a young kid that my dad banned coloring books, he felt they were too restrictive and didn’t challenge the imagination. He also died from complications of MS in 2006.”

“Today, the world can appear fragmented and its people disconnected,  mosaics allow me to fuse the pieces  together to create something cohesive and beautiful , what I wish the world could be.”  –Laura Harris

The lovely Laura in the Cave of the Mounds on a family holiday, before exhibiting in Madison’s Art on the Square.

Artist Watch: Baroness Von Reichardt

Onwards to Chiswick, London where Baroness Von Reichardt (aka Carrie and used ironically of course) has been mosaicing her home one piece at a time. Her mosaics caught my eye a while back now, not long after I first joined flickr. What really stopped me was the fact that she combines her political persuasions in her art, and pulls it off with such aplomb! I really don’t think it’s an easy thing to do.

Carrie graduated from Leeds University with a fine arts degree. She specialised in creating art projects for schools and councils – not necessarily a breeding ground for free interpretation of design. Her creative freedom came about when she started working on her own home and thus The Treatment Rooms was born. With an interest in Outsider and Visionary art as well as graffiti and with partner “Mr Spunky” by her side, Carrie set about creating her own fantasy world. “I liked the idea that on this quaint little street in Chiswick something as incongruous as a house completely covered in mosaic art might exist.”

What we see come through are her strong political persuasions as well as an immense amount of passionate empathy. I, for one, love the message in her art. Her beliefs lie strongly in the cathartic value of art more than the monetary value of art. {Hear Hear!}

Before having found mosaics, Carrie suffered from extreme clinical depression, to the point of near hospitalisation. Mosaics brought her back from that brink and it was at around the same time that she had read something in the Big Issue asking for people to write death row inmates as a humanitarian gesture. She did and what resulted, other than an enormous amount of respect and perspective in Life, was life changing. “… no matter how bad you may feel at least you’re not incarcerated and awaiting execution.”

“One of the inmates I wrote was Luis Ramirez. After Luis’ execution, I started mosaicing for eight hours a day. The wall around the back garden is in memory of him, whom I believe was innocent and unjustly convicted for murder. Today, I have five pen pals on Death Row.”

“My correspondence with Luis was my introduction to the horrors of the American criminal justice system. Most people have no idea how awful Death Row really is. They don’t realize how arbitrary so call “justice” is. Luis once told me that “captial punishment means, those with no capital get punished.” I see the death penalty in America as a continued form of lynching, just now they kill the poor along with the blacks.”

Her obsessive compulsive tendencies have also lead her to have one of the most extensive collections of vintage ceramic decals. Carrie spent many years trying to figure out the techinque of transferring her own designs onto ceramic. What culminated was a technique of layering images, using a combination of homemade, vintage and digital ceramic decals (transfers) that she sources from across the globe and is slowly tiling the entire inside of her house with.

The Baroness’ art has been featured in a diverse selection of publications, including Raw Vision, The Guardian, The Evening Standard, Nude, Tile and Stone, Grout, Westside, The Londonist, Abort, Mozake, That’s Life and Soho House magazine.

Passionate, articulate and incredibly talented… we need more artists like her. I’m looking forward to a visit to the UK in the next year or two and the Treatment Rooms are high on my landmarks to visit.

More pics on the Carrie’s flickr site as well as Treatment Rooms’ flickr site.

Jackie Sumell, Robert King and The Baroness after the back wall was unveiled on Summer Soltice, June 21st 2008.
Robert King has spent 29 years in solitary confinment, before being exonerated in 2001. He is the only freed member of the Angola3.

Howl – A Protest

I felt I just had to blog this. It echoes exactly what I feel and Pam Goode has done such a phenomenal job in interpreting those feelings. Click on the photo and go to ‘All Sizes’ to read the messages in the mosaic.

Pam writes, “This is a protest piece finished for The War Against Peace show. I chose to work this piece in a folk-art style, because it is so often the “child” within us that reacts most instinctively to the atrocities around us. The image depicts a Peace Angel howling in anguish over the current state of Man and Earth. Alphabet Millefiori spell out her howls.”

I have already asked if I could write about Pam as part of my Artist Series, so her bio is coming… I eagerly await. She’s a thoroughly interesting woman – I have always loved her mosaics (and will secretly say that I was a little nervous when I first met her back in April; kinda like “bow down to the masta”, lol). She certainly has a presence.

I must say I have always been enamoured with Protest Art, for want of a better word/description. I know many artists who won’t touch it with a 40 foot pole and then I’ve seen some Protest Art that just doesn’t do anything for me. It’s all ringing bells for me right now. I do not understand the apathy. The Peoples’ silence is deafening…