Artist Watch: Linda Martin

Next in line, good pal Linda Martin who I had the pleasure of meeting in Sue Gianotti’s class at SAMA. It was a huge (but silent) wave and YAAAAAY!!!!! We hit it off immediately – but I think she has a way with people and hits it off with everyone she meets. Really a very special person – warm and generous.

Linda has always been creative. Always. In high school she carried around a sketch book with her everywhere she went. Whilst living in Hawaii, she sat on the beach crocheting bathing suit tops she sold for “gas money”. She came across mosaics while perusing a craft store with her then 8 year old son: “He always got inspired on a trip to the craft store with mom so I picked up a little mosaic garden plaque for him to do. We started to do it together but I think he lost interest, or I took over, or maybe he lost interest because I took over, in any case I caught a mosaic fever.”

After that venture, Linda borrowed books from the library and studied them, researched the internet and spent hours studying other artists’ work. “I began to play around with breaking glass, dishes, and tile, ordering supplies and tools from the web, experimenting with everything I could get my hands on.” One of her first projects was covering a lava lamp with broken dishes which she called Shab-a-delic. “At the time I was quite pleased with myself, but looking at it now…. Ahhhhhhh!” LOL!!! Don’t we all have a million of them somewhere?!

Linda also made lots of picture frames, and a license plate cover for her car, all of which she says fell apart as she was using the wrong materials. “These early projects took me forever to complete and were not very good, but I was having fun and learning.” I always say there’s no better way of learning than by doing… Her “coming-out” was with a mannequin titled “Courting Laura” which Linda entered into a fundraiser for breast cancer.

After moving back to her native California, she was conveniently located an hour or so from the Institute of Mosaic Art, in Oakland. “I started taking classes there… lots of classes. That’s how it all began…”

Her future direction is in therapeutic mosaics. Linda has been an Occupational Therapist for a good portion of her life and has done a few projects combining both – mosaics with her patients: “I have the license as an occupational therapist, the skills as a mosaic artist, and the time and resources to go further”. Producing community murals is big on her list of to-dos. I love that. I’m such a fan of art-with-meaning, as opposed to art-for-the-sake-of-art. Not that I don’t appreciate that either…

Linda says, “I want to focus on mural projects with parents and their children, bonding, communication skills, and improvement of quality of life. Now, when I say parent/child relationship, parents of younger children comes to mind. But I want to work with the older population, the elderly parents and their adult children. That’s the bond I want to facilitate with the murals.”

Linda reminisces, “I remember once when working in a skilled nursing facility, aka nursing home, I was doing water colour paintings with the patients. This one female patients’ daughter loved her mother’s picture so much she had it framed and it looked stunning! Two months later the mother died. Her daughter came up to me and thanked me for the work I did and especially for the painting, a final memento of her beloved mother. It’s bonds like this I want to continue.”

Linda’s mosaics can be seen this summer in the juried show “Art on the Wharf”, July 19th at the Santa Cruz Pier. A show consisting of only 30 artists.

And finally, the artiste herself, sitting atop her community arts project she led also as an occupational therapist.

//

 

Artists & Copyright

If you are in the Sydney area on Wednesday June 17, I recommend you head on over to Contempo and attend “Art Smart: Learn the legal side of art and design”.

Here is an excerpt:

Contempo and Arts Law will be presenting an evening on intellectual property rights in the world of art. Learn what copyright and design protection is, and how it helps you as an artist.

For more info on this event go to their website. I think I might knock off work early that day and pull an all-nighter drive… If they can pack in even just a little of the information I’d like to know in those 2 hours, it would make it worth driving 7 hours there and back!!

 

Artist Watch: Laura Harris

Laura Harris of Melonhead Gallery, was first “introduced” to me by Carol Shelkin. An email from Carol, read, click and… POW! I was literally blown away. That hasn’t happened to me, to that extent,  in a long time. Her work is magnificent. To be perfectly honest I grapple for the words that describe how I feel when I view her work, and that is all in a photo on my trusty ol’ computer, so I can’t imagine what it would be like in person.  She is in my mind a Mythmaker, to borrow a term from the righteous James Hubbell.

Born in Wisconsin she is the daughter of late Midwest sculptor/painter, Walter Lenz.  Laura has been working in mixed media, including fiber art, acrylic art and mosaic art for over 25 years.  More recently, Laura has concentrated on mosaic portrait art.  Using a preferred direct method of application, her choice in tesserae include venetian and dichroic glass, 24 Kt. Italian gold smalti, porcelain, ceramic tile, mirror, stone and salvaged or recycled materials.

Laura’s career was not always limited to the field of art.  She worked as a speech-language pathologist for over 15 years and was recognized in 1998 as one of the top 5 teachers in Wisconsin for her efforts in the field of Assistive Technology and voted New Berlin Public School Teacher of the Year in 2001.

Laura got into mosaics in 1985 after having to quit teaching due to her worsening Multiple Sclerosis. She has risen above her physical limitations, as her artwork shows, but also in her attitude towards her MS: “I can’t feel all of my cuts so I guess there is a silver lining in everything, you just have to look for it.”

Her father has played a vital role in her life as she states: “I have been involved in art my whole life. My dad was an artist and a strong influence. I remember even as a young kid that my dad banned coloring books, he felt they were too restrictive and didn’t challenge the imagination. He also died from complications of MS in 2006.”

“Today, the world can appear fragmented and its people disconnected,  mosaics allow me to fuse the pieces  together to create something cohesive and beautiful , what I wish the world could be.”  –Laura Harris

The lovely Laura in the Cave of the Mounds on a family holiday, before exhibiting in Madison’s Art on the Square.

 

Mosaic Workshops, Canberra ACT

So I’ve finally gotten my act together and will be offering classes beginning this Winter. I will be working out of my studio here in Canberra (Northside) and am offering the following workshops:

• Interior Mosaic Basics
• Exterior Mosaic Basics
• Beginning Tempered Glass Mosaics
• Kids’ Mosaics (two age groups: 3-6 years and 7 and up)
• Grout Clinic

More will come, eventually. I also plan on doing a reverse indirect class and a mural making class, so they are all in the pipeline but for now I think I have my hands full.

Classes are currently restricted in size to a maximum of 4 students, minimum is 2. Perfect for beginners who have had no mosaic experience and are also adaptable for those seeking more of a challenge.

I’m also offering one on one tuition and can travel, given the right circumstances Please just contact me if you’re interested.

All the info can be found on my newly renovated website: kimgrantmosaics.com

Happy Mosaicing All!!

 

Artist Watch: Baroness Von Reichardt

Onwards to Chiswick, London where Baroness Von Reichardt (aka Carrie and used ironically of course) has been mosaicing her home one piece at a time. Her mosaics caught my eye a while back now, not long after I first joined flickr. What really stopped me was the fact that she combines her political persuasions in her art, and pulls it off with such aplomb! I really don’t think it’s an easy thing to do.

Carrie graduated from Leeds University with a fine arts degree. She specialised in creating art projects for schools and councils – not necessarily a breeding ground for free interpretation of design. Her creative freedom came about when she started working on her own home and thus The Treatment Rooms was born. With an interest in Outsider and Visionary art as well as graffiti and with partner “Mr Spunky” by her side, Carrie set about creating her own fantasy world. “I liked the idea that on this quaint little street in Chiswick something as incongruous as a house completely covered in mosaic art might exist.”

What we see come through are her strong political persuasions as well as an immense amount of passionate empathy. I, for one, love the message in her art. Her beliefs lie strongly in the cathartic value of art more than the monetary value of art. {Hear Hear!}

Before having found mosaics, Carrie suffered from extreme clinical depression, to the point of near hospitalisation. Mosaics brought her back from that brink and it was at around the same time that she had read something in the Big Issue asking for people to write death row inmates as a humanitarian gesture. She did and what resulted, other than an enormous amount of respect and perspective in Life, was life changing. “… no matter how bad you may feel at least you’re not incarcerated and awaiting execution.”

“One of the inmates I wrote was Luis Ramirez. After Luis’ execution, I started mosaicing for eight hours a day. The wall around the back garden is in memory of him, whom I believe was innocent and unjustly convicted for murder. Today, I have five pen pals on Death Row.”

“My correspondence with Luis was my introduction to the horrors of the American criminal justice system. Most people have no idea how awful Death Row really is. They don’t realize how arbitrary so call “justice” is. Luis once told me that “captial punishment means, those with no capital get punished.” I see the death penalty in America as a continued form of lynching, just now they kill the poor along with the blacks.”

Her obsessive compulsive tendencies have also lead her to have one of the most extensive collections of vintage ceramic decals. Carrie spent many years trying to figure out the techinque of transferring her own designs onto ceramic. What culminated was a technique of layering images, using a combination of homemade, vintage and digital ceramic decals (transfers) that she sources from across the globe and is slowly tiling the entire inside of her house with.

The Baroness’ art has been featured in a diverse selection of publications, including Raw Vision, The Guardian, The Evening Standard, Nude, Tile and Stone, Grout, Westside, The Londonist, Abort, Mozake, That’s Life and Soho House magazine.

Passionate, articulate and incredibly talented… we need more artists like her. I’m looking forward to a visit to the UK in the next year or two and the Treatment Rooms are high on my landmarks to visit.

More pics on the Carrie’s flickr site as well as Treatment Rooms’ flickr site.

Jackie Sumell, Robert King and The Baroness after the back wall was unveiled on Summer Soltice, June 21st 2008.
Robert King has spent 29 years in solitary confinment, before being exonerated in 2001. He is the only freed member of the Angola3.

 

Artist in Residence at IMA!!

After the conference it was onwards and upwards to the Bay Area – my former stomping ground and one place I keep going back to. I always feel like I come home when I go there…

Laurel True was kind enough to let me do a stint at Artist in Residence at the Institute of Mosaic Art (IMA).  When I inquired about perhaps helping out with something at IMA, I wasn’t expecting an ‘Artist in Residence’ tag at all, but was more than happy with it   Laurel had mentioned the kitchen backsplash which piqued my interest,  amongst many other possibilities. I was worried that time pressures and other personal pressures may prevent me from finishing it, so I left myself open to anything. I had mentioned it to Susan Crocenzi – looking to collaborate with her cuz I thought it would just be fun! When I arrived and went over, I thought to myself the backsplash would be the perfect thing to do. Yet again proof of working well under pressure With no design ideas in mind and no inkling, at that time, that I would be surrounded by fellow artists a la  Linda Martin, Kelley Knickerbocker and Rachel Rodi [who are waaaay awesome!!! ] to help finish the installation I set about doing the kitchen backsplash direct (knowing that I had 4, maybe 5 days to get it all done)! – simply because I had no design in mind and worked it as I went. I knew that if I sat down and drew stuff out, it would not get finished.

Susan came in on the last day (all the way from Nevada City!) and added her tempered glass and polymer clay accents, all of which I think make the installation! Some of the polymer clay pieces she had made many moons ago and they just fit with the theme – colours, shapes… it was just perfect! Like it was meant to be somethin’… We finished just in the knick o’ time.

I have to say designing this was a little scary… 1 because I had no ideas, 2 because it’s in Laurel’s business, 3 because that business is IMA and 4 because how many mosaic artists go through there every year?! Laurel was way cool about it though and just let me go for it. I very much appreciate her support. I figured that she wouldn’t mind a walk on the wild side and wouldn’t necessarily need/want/prefer a traditional backsplash, so I went with something else and I think it fits with the spirit of IMA…

By day 2 I was starting to get just a tad panicked that I wasn’t going to be able to finish what I’d started! I was leaving to go back to Australia and not quite like I could pop in at any time… Mentioned as much on either Flickr or Facebook (don’t remember which) and Lovely Linda came to the rescue!!! She drove up from Santa Cruz to help me on the Saturday. How cool is that?! Kelley was there, having driven down from Seattle the day before, hanging her art for a show she’s got going on (go see it if you are close by – her work is amazing!!!!). We roped her in at some point in the day and when Rachel finished teaching her class… well we just had that glint in our eyes and she couldn’t say no

Last day of installation and the name for the piece hadn’t even cropped up… Susan and I decided to call it Reach.

Have I mentioned how FUN it is working with fellow mosaic artists?!!! Spreadin’ the love is good in numbers!

Me and Linda Martin

The Gang – Kelley Knickerbocker, Rachel Rodi and Linda Martin

The LOVELY Susan Crocenzi

Photo by Gib Robinson

Reach, *glowing*

Detail of Susan’s work

Photo by Gib Robinson

Photo by Gib Robinson

 

Artist Watch: Suzanne Steeves

I had originally meant to post this before SAMA and for some weird reason my email dumped Suzanne’s response to me in my spam… grrrr! So apologies to you Suzanne, for not having gotten this up sooner… *sigh*

Suzanne Steeves was born in New York to Canadian parents. She had a fabulous career in television overseeing the launch of a couple of specialty channels, running entertainment production, heading up sports. “Very rewarding and endlessly all-consuming.”  Suzanne met her ’soul mate’ ten years ago –  husband Aiken. “We left our full time careers behind, and ran off to Bora Bora to get married.”

As a child, Suzanne was constantly drawing, painting and actually did her first mosaic at age ten. “It was a gift for my grandmother. A picture made from all different types of seeds: pumpkin, poppy, sesame etc. My grandmother kept it hanging on her wall until she left this world.”

After the demise of her first marriage, Suzanne became a single parent with a demanding career and had little time to pursue her passion – art. “I did paint, but sporadically. Now I am making up for lost time. Initially I picked up my paint brushes and went back to oils. I had always loved mosaic but had never really considered it … until one day I happened to see a used mannequin with a uniquely beautiful shape. I immediately envisioned Eden Rocks. The idea of telling the story of the Garden of Eden – on Eve herself…” Suzanne claims it to be a ridiculous choice for a first project (scoff!) but considers herself an over achiever. “After starting her I realized I had no idea what I was doing. I spent the next several months reading everything I could get my hands on. I completed her last year and haven’t looked back.”

When describing her love for the medium, Suzanne states: “I can’t begin to describe the pleasure I find in working in mosaics. I love everything about it. The possibilities are limitless. I would need dozens of lifetimes to even begin to tackle every project I have wandering around in my head! When I’m in the zone it is my meditation.”

Suzanne left the city behind and now lives with Aiken and their two dogs on 100 acres north of Toronto. She has two beautiful grown children, a son Stefan and daughter Sasha and a wonderful stepson, Taylor.

Eden Rocks

Polar Prayer

Bird in the  Hot Sun

The Wave

Finally meet Suzanne, pictured with her daughter…